Written by coolshades
“There’s an interesting thing about this business,” says Taylor Sheridan.
“It tells you what you’re supposed to be doing. A lot of times you don’t want to—or can’t—hear what it’s telling you. But it’s telling you.”
After 20 years in the trenches as a journeyman actor on everything from Walker, Texas Ranger, Star Trek: Enterprise, and NYPD Blue to Veronica Mars and Sons of Anarchy, Sheridan had come to see that his muse was leading him across the production floor, to the other side of the camera.
“I learned what I was—why I was only so successful as an actor: Acting wasn’t really my gift,” he says. “I was pretty good. But I wasn’t Tom Hardy or Christian Bale. If I had been Tom Hardy, someone would’ve figured that out over the course of 15 or 20 years, because that doesn’t go unnoticed. I realized that the reason I’d had any success as an actor was because I had understood what the writer was trying to say. I understood stories.”
That hard-won awareness, and the burgeoning body of work it fostered, has positioned Sheridan as one of the most exciting and passionate “new” voices in American cinema. And what a voice. The pen behind the critically acclaimed features Sicario (2015) and Hell or High Water (2016), Sheridan now completes a trilogy of the American heartland with Wind River, a commanding directorial effort, for which he took home the Un Certain Regard Best Director prize at Cannes in May. Wind River pairs Jeremy Renner and Elizabeth Olsen as a game warden and FBI agent, respectively, investigating a murder on the titular Wind River Indian Reservation in Wyoming, where they find a society haunted by demons of drug addiction and destitution.
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